The Trouble with Harry
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1:24:01
- He says he'll be right out.
- Why don't I just go on in?

1:24:10
Evening, Calvin.
1:24:12
Evening, Captain Wiles.
Miss Gravely.

1:24:15
We've got 'em on the run
in four spades.

1:24:17
They should have been in diamonds.
Play much bridge?

1:24:22
- Never play it.
- That's what I thought.

1:24:24
Something you wanted, Calvin?
1:24:26
- Where were you today, Sam?
- Working, as usual.

1:24:30
Somewheres down
by Mansfield Meadows?

1:24:34
Possibly. I do quite a bit
of sketching around. Why?

1:24:40
Is that where, uh...
1:24:44
Where you painted this?
1:24:48
I left that portrait
with your mother.

1:24:51
What right do you have to carry it
around with you? It might be damaged.

1:24:53
Yeah. It could be priceless,
and Sam would lose a sale.

1:24:57
Oh, I'll send him a box of
blueberries the first of every month.

1:25:01
Sam, what I wanna know is where'd
you paint it and who is it.

1:25:04
First of all, it's not a painting,
it's a drawing.

1:25:07
Matter of fact, it's a pastel and...
as for the model...

1:25:12
- It just came to me out of the blue.
- You don't say.

1:25:15
Why are you acting
like a deputy sheriff?

1:25:17
That tramp I picked up,
the one with the stolen shoes?

1:25:20
Said he got 'em off a dead man?
1:25:23
He described him very carefully. The
description fits the picture exactly.

1:25:27
A tramp who probably can't keep
his job and drinks too much.

1:25:30
I wouldn't think his word
was very reliable.

1:25:33
Got him locked up
in the schoolhouse.

1:25:36
- I took the painting to show him -
- Drawing, if you don't mind.

1:25:38
I took the drawing to show him.
1:25:41
He almost fainted.
Said it was the same face.

1:25:43
Where'd you paint it, Sam?
1:25:47
From my vast subconscious.
1:25:49
Sam, I hate to say this,
but I don't believe you.

1:25:53
With all this talk,
I've lost interest in the game.

1:25:55
If you'll forgive me,
I'll just run along home.

1:25:58
I'll see you all tomorrow.

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