1:26:03
What do you mean,
you don't believe me?
1:26:05
What I mean, Sam...
I ain't educated in fancy art...
1:26:10
but I do know the face of a dead
man when I see one, and this is it.
1:26:14
Calvin, perhaps I can
educate you to, um, 'fancy art.'
1:26:18
See this -
Portrait of a sleeping face.
1:26:22
A man, relaxed,
far removed from earthly cares.
1:26:27
It was conceived out of memory
and half-forgotten impulse,
1:26:31
and it emerged from the shadows
of abstract emotions,
1:26:33
until it was born full-grown from...
1:26:36
the mechanical realities
of my fingertips.
1:26:38
- Oh, now Sam, don't -
- I don't need a model to draw from.
1:26:41
Instead of creating a sleeping face,
I could have...
1:26:44
chosen an entirely different set
of artistic stimuli.
1:26:47
My subconscious is peopled
with enough faces to cover the Earth.
1:26:51
And the construction of the human
anatomy is so infinitely variable
1:26:55
as to lie beyond the wildest powers
of calculation.
1:26:58
Now, a raised eyelid, perhaps.
1:27:05
A line of fullness to the cheek.
1:27:09
Lip that bends with expression.
1:27:13
There.
1:27:16
- Sam, do you know what you just did?
- Certainly.
1:27:20
I just showed you how clearly
you misinterpreted my art.
1:27:23
You just destroyed legal evidence.
1:27:27
Calvin, it appears to me
you still don't understand.
1:27:31
I understand you made kind of a fool
out of me.
1:27:34
But I still got enough evidence
to know something funny's going on.
1:27:38
I ain't goin' to sleep
till I find out what it is.
1:27:43
(Jennifer) Good night, Calvin.
1:27:48
Hey! What's he doin' in our bathtub?
1:27:56
- That's where frogs belong.
- (Arnie) Oh.
1:27:58
- Back to bed, Arnie. Back to bed.
- State troopers here in the morning.