1:12:16
I see you've been working.
1:12:18
That's not difficult
in this part of the world.
1:12:21
- I can't tell you, Paul.
- Yeah.
1:12:23
You'll see for yourself.
1:12:25
In the morning, you open the window,
see, there's the green of the gardens.
1:12:29
Wait till you see the yellow fields at noon
under the full sun.
1:12:33
And the light, you wouldn't believe it...
1:12:35
but all the time,
these yellows are really here.
1:12:37
Everywhere you look,
there's something to paint.
1:12:40
What an artist like you would do out here.
We'll go out this afternoon.
1:12:43
Wait a minute. I'm not one of
those painters that gets off the train...
1:12:47
and turns out a sunlight effect
before he's even unpacked his bags.
1:12:51
Paul, show me the Brittany paintings.
1:12:55
There's plenty of time for that.
1:12:58
- Come on, let's eat.
- All right.
1:13:09
A little heavy on the turpentine, isn't it?
1:13:11
What did you do,
boil some old paint tubes?
1:13:13
Smells like it.
1:13:14
Vincent, from now on
you better let me do the cooking.
1:13:17
All right.
1:13:18
Even my worst enemies
won't deny me that talent.
1:13:23
Do you really have to live like this?
1:13:25
- What do you mean?
- Look at it. How can you stand it?
1:13:27
Look at the paint in those brushes.
How can you work this way? It's a mess.
1:13:31
If we're going to live together,
might as well start right.
1:13:33
- Let's get this place in order.
- Show me the paintings.
1:13:36
That can wait.
1:13:37
If there's one thing I can't stand,
it's confusion, mental or physical.
1:13:54
There. Now, this'll have to last us
till the first.
1:13:57
After that, everything Theo sends us
every month: