1:16:01
Then he should have been a preacher,
not a painter.
1:16:04
If there's one thing I despise,
it's emotionalism in painting.
1:16:07
- Vincent, painting is for painters.
- Like your friend Degas, I suppose...
1:16:11
who's done nothing but ballet dancers
and racehorses for 10 years.
1:16:14
You can learn from him.
You can learn control!
1:16:16
I don't want control!
I'm not afraid of emotion.
1:16:18
When I paint the sun,
I want the people to feel it revolving...
1:16:21
giving off light and heat.
1:16:23
When I paint a peasant...
1:16:24
I want to feel the sun pouring into him
like it does into the corn...
1:16:27
Is that what you do
when you overload your brush?
1:16:29
When you slap paint on like putty?
1:16:31
When you make your trees
writhe like snakes...
1:16:33
and your sun explode all over the canvas?
1:16:34
What I see when I look at your work
is that you paint too fast!
1:16:38
You look too fast!
1:16:43
Whatever you say, brigadier.
1:16:47
Maybe you're right.
1:16:52
Maybe we need another drink.
1:17:02
I'm sorry, Paul.
1:17:12
Look, Paul, when I painted The Night Café,
I tried to show evil.
1:17:16
The most violent passions of humanity.
1:17:18
I painted it blood red and dark yellow.
1:17:22
And a green billiard table in the middle.
1:17:25
Four lemon-yellow lamps...
1:17:27
with a glare of orange and green...
1:17:31
in an atmosphere of pale sulfur,
like a furnace.
1:17:35
I tried to show a place
where a man can ruin himself...
1:17:41
go mad...
1:17:45
commit a crime.
1:17:52
What's all of this talk
about Arlesian women?
1:17:55
- I haven't seen a good one yet.
- They must have heard you were coming...
1:17:58
- and they locked them up.
- Yeah.