:34:01
Why stick to a two act? People want light,
sparkle, something pleasing to the eye.
:34:06
A bit of feminine beauty like Lola here.
:34:10
Think it over, Mike,
while I go congratulate your boy.
:34:14
I have great hopes for this act.
:34:23
I watched you work.
:34:25
Bouglione's wrong. Your way is right.
:34:28
- He knows box office.
- That's all he knows.
:34:32
That's all he cares.
The work itself he thinks nothing of.
:34:37
- That bothers you?
- Why not? He throws out my partners.
:34:41
- They are not bad workers.
- They're good.
:34:43
All right. But they are not
in the same class as you.
:34:55
- I've got a great flier.
- Always the flier gets credit.
:34:59
What he does makes a flash.
:35:01
Your partner is nothing without you.
:35:05
My partners,
they can find work without me.
:35:08
But your Tino, he had to come
halfway round the world to find you.
:35:13
Does Bouglione appreciate it?
:35:16
- He sure appreciates you.
- Oh, me.
:35:19
He wants me to be like a bit
of window-dressing in some other act.
:35:24
You don't like that?
:35:26
All my life I wanted
to get better and better.
:35:30
To be the best of all.
:35:34
Like you.
:35:47
Our act's pretty dangerous.
:35:49
I don't care how dangerous,
so long as I am with the best.
:35:54
With you, for example.
:35:59
- You think we could work well together?
- I know we could.