:44:02
- How did she get up there?
- I didn't mean to give Bouglione ideas.
:44:06
She had the ideas. Now we've lost
the triple opening night.
:44:09
Mike, you don't know her.
She's had a rough life.
:44:12
Listen, you idiot. She gave me the
treatment before she got around to you.
:44:16
Why do you think
I always wanted a two act?
:44:19
Because one flies and one catches,
and no one comes between.
:44:24
Nobody's gonna come between.
:44:35
- Is he still angry?
- Are you worried?
:44:39
I was thinking of his hands.
They give you so much confidence.
:44:43
Looks like you've had
enough of that already.
:44:46
Now you are angry too. Why?
:44:48
Why didn't you say
you already spoke to Mike?
:44:50
I? He must have misunderstood.
It was Bouglione who was talking.
:44:55
Look.
:44:57
I came over here to learn the triple.
And I'm gonna learn it.
:45:02
- And you think I'd interfere with that?
- Mike thinks so.
:45:06
We gotta think alike. Neither one of us
is good without the other.
:45:21
I knew nothing about these things, or
I'd never have let Bouglione persuade me.
:45:27
I'm frightened I will not be good for you.
:45:30
I'm frightened I will hurt the act.
:45:33
Goodbye, Tino.
:45:36
Lola...
:45:38
Tomorrow I should leave. My only chance
for an engagement is in Marseille.
:45:42
- With your old act?
- Of course.
:45:44
My partners have
great plans for me. It is just...
:45:48
I would rather have been a tiny part of a
great act than the star of an ordinary one.
:45:54
- Please, Tino, we don't talk about it...
- Oh, Lola.
:45:57
Lola, stay. Don't go.