A King in New York
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:30:01
'''tis a consummation
devoutly to be wished.

:30:03
''To die, to sleep...
:30:07
''To sleep,
:30:09
''perchance to dream:
:30:13
''There's the rub.
:30:15
''For who would bear the whips
and scorns of time?

:30:18
''The oppressor's wrong,
the proud man's contumely,

:30:21
''the pangs of despised love,
:30:23
''the law's delay.
:30:25
''The insolence of office,
and the spurns that patient merit

:30:29
''of the unworthy takes,
:30:31
''when he himself might
his quietus take

:30:34
''with a bare bodkin?
:30:37
''Who would fardels bear, to sweat
:30:40
''and grunt under a weary life?
:30:43
''But that the dread
:30:46
''of something after death
:30:50
''that undiscovered country
:30:52
''from whose bourn no traveler returns
:30:57
''puzzles the will
:30:59
''and makes us rather bear
those ills we have

:31:03
''than fly to others
that we know not of?

:31:07
''Thus conscience...''
:31:12
- I've forgotten.
- Oh no! Please go on.

:31:14
No, no. I'm sorry.
:31:22
You've just heard
a recital of Hamlet

:31:23
by His Majesty King Shahdov.
:31:25
We now return to Ann Kay's
Real Life Surprise Party

:31:28
after station identification.
:31:30
This is station KXPA.
:31:32
How can I thank you?
:31:34
What a privilege. What genius!
:31:36
- You liked it?
- You have such power, such anger!

:31:40
What a success you'd be as an actor.
:31:44
But actors need more
than genius to succeed.

:31:47
- They need good sound teeth.
- Naturally.

:31:50
Have you the assurance to speak
:31:51
and face others without danger
of being repellent?

:31:55
There you go again!
:31:56
How can an actor play opposite
a lovely leading lady


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