Love in the Afternoon
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:54:10
In a way,
I'm rather glad you're leaving tonight.

:54:13
You are?
:54:14
-It makes everything simpler.
-That's the way it should be.

:54:16
No involvements,
no complications, no danger.

:54:20
None at all.
:54:24
The trouble is, people get too attached
to each other, things drag on...

:54:27
...scenes, tears.
Everything gets so maudlin.

:54:31
I think people should always behave
as though they were between planes.

:54:34
Very sound, Mr. Flannagan.
:54:37
It's basic.
:54:38
He who loves and runs away,
lives to love another day.

:54:43
-I must remember that.
-Works out great.

:54:46
Works for you.
:54:48
No, all around.
Everybody's happy, nobody gets hurt.

:54:51
How about Francesca del Corso?
:54:53
Francesca del who?
:54:55
Del Corso...
:54:56
...the one in Venice who tried to commit--
:54:58
I'm glad you brought her up.
That's exactly the type to stay away from.

:55:02
Silly, sentimental, serious.
:55:05
It turned out I was the first man
she'd ever been in love with.

:55:10
I suppose most girls are sentimental
about their first love.

:55:16
I suppose so.
:55:18
Like their first pair of high-heeled shoes.
:55:23
Tell me...
:55:25
...do you remember
the first man in your life?

:55:33
Let me see....
:55:36
It's all a little blurry....
:55:38
I'm....
:55:40
Must have had too much
of this domestic champagne.


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