Love in the Afternoon
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1:19:16
-Ariane!
-Yes, Papa?

1:19:18
Since you've always taken
such great interest in my business...

1:19:22
...let's see how good a detective you are.
1:19:25
Yes, Papa.
1:19:26
For instance, let's consider
"The Case of the Elusive Ermine."

1:19:30
"The Elusive Ermine"?
1:19:31
The fur coat. The one I'm keeping here,
for my client.

1:19:34
Oh, that one.
1:19:36
Do you remember where we put it?
1:19:38
Where did we put it? In the closet?
1:19:41
This closet?
1:19:43
-Yes, Papa.
-All right. Let's see.

1:19:51
Well! What do we have here?
1:19:54
What?
1:19:55
What does it look like?
1:19:58
-A cello, Papa.
-Of course! Now let's be logical.

1:20:02
If the cello is where the fur coat was...
1:20:06
...where do you suppose the fur coat is?
1:20:08
-Where?
-Think.

1:20:10
Where the cello was?
1:20:12
In here?
1:20:14
Let us see.
1:20:17
You're very good! Bravo!
1:20:21
Thank you, Papa.
1:20:22
Now let us probe a little further.
1:20:25
Who, in your opinion, did it,
and what was the motive?

1:20:28
Papa, don't you think this is enough
for one lesson?

1:20:31
All right, Ariane, why did you take it?
1:20:33
-I didn't take it. I borrowed it.
-Why?

1:20:36
Why, why? Always "Why?"
1:20:39
Why do I have to be
a detective's daughter?

1:20:41
Why do I have to be questioned,
cross-examined, investigated?

1:20:44
The motive, please.
1:20:46
I took it to the conservatory
to show it to the girls in class.

1:20:50
Because they'd never seen
an ermine coat before.

1:20:53
That's all there is to it, Papa.
That's the motive.

1:20:57
You caused me
a great deal of embarrassment.

1:20:59
My client came by to pick it up,
almost walked out with the cello.


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