:55:02
And I got a great title:
:55:05
Not Tonight.
:55:07
I'll give it some thought.
I wonder if we can use Boroff's music?
:55:11
- No, he's too square.
- Don't be silly.
:55:13
Think of the prestige of having
Peter Boroff write music for your picture.
:55:17
- You know what prestige means.
- Pictures that don't make money.
:55:20
- This'll make money.
- Steve, he's so longhair.
:55:24
Peggy, Tchaikovsky wrote an overture
for Romeo and Juliet.
:55:28
And you know what it turned into?
Our Love Is Like A Melody.
:55:31
Say, that was a great song.
:55:34
You think we could get him?
:55:36
He's not available.
:55:37
Another Russian composer,
Borodin, get this:
:55:43
Sure, but those boys
had great tunes to work on.
:55:46
With your quick musical ear,
I'm sure if you listen to...
:55:49
Ode to a Tractor,
you'll discover a wonderful theme in it.
:55:52
Even better than Tchaikovsky.
:55:55
With the right words and you singing it,
we can't miss.
:55:57
Of course, there is one catch.
:55:59
Boroff may not want his music
made into a popular song.
:56:02
Why not?
:56:03
Because he's a serious musician
and doesn't know any better.
:56:06
- So you may have to persuade him.
- How can I persuade him?
:56:10
Because we're built differently.
:56:17
Comrade, you said today's
communication from Markovitch...
:56:20
ordered us to meet
with the French officials immediately.
:56:23
How can we pressurize them
into revoking Boroff's visa?
:56:27
Yes, how?
:56:42
I think Moscow will extend
our stay if we request it.
:56:47
Perhaps you didn't understand
the question, Comrade.
:56:50
Everyday the management
puts fresh flowers in the rooms.
:56:55
- What a lovely gesture.
- Yes, it is.
:56:58
If we prevail upon the French officials
as representatives of...