:41:01
I'm sorry, girl.
What did you say?
:41:05
I didn't know he left her.
:41:09
My word!
:41:12
Of course.
:41:13
Call me as soon as you hear anything.
Anything at all.
:41:17
How marvelous!
:41:19
Paris agog.
:41:21
Why didn't you tell me that Gaston
and Liane had broken up?
:41:24
I didn't know it.
It must've happened over the weekend.
:41:27
When was the suicide?
:41:29
- Last night.
- How did she do it?
:41:31
The usual way,
insufficient poison.
:41:34
Say, how many times
has she done it now?
:41:36
Good evening, Manuel.
:41:38
Good evening, Honoré.
:41:39
Gaston, my boy.
:41:42
Congratulations.
:41:44
Your first suicide.
:41:46
What an achievement.
And at your age.
:41:49
Like everyone in Paris,
we were just talking about you.
:41:52
Thank you, Honoré.
I came over to...
:41:53
May I add mine, sir?
:41:55
Thank you, Manuel.
I came over to get a...
:41:57
It was a stunning victory.
:41:59
- Where is the champagne?
- It's ready, sir.
:42:00
I came over to get away
from the telephone.
:42:03
I can imagine.
Any news from the corpse?
:42:06
Fully recovered, according to
late morning editions.
:42:10
And how do you feel?
:42:11
Oddly enough, I'm not quite sure.
:42:14
Make a guess.
:42:15
Well, I'd say edgy.
:42:17
Edgy?
:42:18
Almost depressed. I don't know why.
:42:21
There must be a reason.
:42:23
I suppose it's to be expected.
:42:25
I'm told Verdi felt that way after
the first performance of "Aida".
:42:29
- Get a glass for yourself.
- I have one, sir.
:42:33
To you, Gaston.
:42:35
May this be the first of many.
:42:44
What about tonight?
Where do we go? What do we do?
:42:47
I don't know. I should consider
what I do next very carefully.
:42:51
I've been weighing the idea of
going to the country for a while.
:42:56
You mean, leave Paris?
:42:59
Yes. Why not?