:32:16
Cute, these aprons.
Let me have three.
:32:18
I think for my mother
they're just fine.
:32:20
- All three of them?
- Yes, those. All three alike.
:32:22
The ones with Donald Duck.
:32:23
I got it.
:32:35
Shut up and pay attention.
There's the safe.
:32:37
The crib!
:32:38
Quiet, I have to focus it.
I was trying to focus it.
:32:41
It's moving.
I was setting up the shot...
:32:45
It's all blurred.
:32:47
Well kids, the camera is old,
the lens is old,
:32:49
this ain't Hollywood, you know.
:32:52
- And who's the kid?
- Who is it?
:32:53
- It's my kid, I shot a few trial
frames at home. - He's cute!
:32:56
- Really cute!
- Cutie!
:32:57
But he's crying.
Why is he crying so much?
:32:59
Daddy's boy!
Look what a close up he got.
:33:02
Look closely, now he gets up...
goes to the safe... look closely...
:33:05
Watch what he's doing now...
and see what a shot I got!
:33:14
We've even got the pants
in the shot.
:33:15
Filming the underpants adds to the
shot... What did you do? Go on, go!
:33:17
You're wasting our time.
:33:19
It can happen. Now it's coming up
again. Shut up. Here it is.
:33:23
And what's that supposed to be?
:33:24
- What did you do?
- I shot it in over two days.
:33:26
- Cute, though.
- The kid, does he cry all the time?
:33:27
I don't believe this.
:33:28
I had enough.
Who cares about the kid, really!
:33:29
- And who's this guy?
- The bartender.
:33:31
Who gives a damn about
the bartender?
:33:33
I wasn't the one to send for coffee,
you know!
:33:36
There's a lady coming in now
with a watch. She puts it down,
:33:39
he picks it up, takes it to the safe.
Here she comes, see?
:33:44
- Hey, look, it's your watch Capanne', look.
- What?
:33:46
Quiet, now he gives her the receipt.
There. See, now?
:33:52
Watch carefully now, this is it.
Here it comes.
:33:54
It's skipping.
:33:55
It skips because it's old;
we got it at Porta Portese.