:42:01
- What's this?
- Josephine, over here before it melts.
:42:10
Put it here.
:42:13
Sugar, you're gonna
get into a lot of trouble.
:42:15
You'd better keep a lookout.
:42:17
lf Bienstock catches you again...
:42:19
What's the matter with you, anyway?
:42:21
I'm not very bright, l guess.
:42:23
l wouldn't say that. Careless, maybe.
:42:26
No, just dumb. lf l had any brains, l
wouldn't be with this crummy girls' band.
:42:30
Well, why'd you take this job?
:42:32
l used to sing with male bands,
but l can't afford it any more.
:42:35
Have you ever been with a male band?
:42:37
Who, me?
:42:39
That's what I'm running away from.
:42:41
l worked with six in the last two years.
Oh, brother.
:42:44
- Rough?
- I'll say.
:42:46
- You can't trust those guys.
- l can't trust myself.
:42:49
l have this thing about saxophone players.
:42:52
Especially tenor sax.
:42:56
- Really?
- l don't know why, but they curdle me.
:42:59
All they have to do is play eight bars of
''Come To Me, My Melancholy Baby''
:43:03
and l get goose-pimply all over,
and l come to 'em.
:43:06
- That so?
- Every time.
:43:10
You know, l play tenor sax.
:43:12
But you're a girl - thank goodness.
That's why l joined this band.
:43:16
Safety first. Anyzhing
to get away from those bums.
:43:20
You don't know what they're like.
You fall for 'em.
:43:24
You think this is gonna be
the biggest thing since the Graf Zeppelin.
:43:27
The next thing you know,
they're borrowing money from you,
:43:29
spending it on other dames
and betting on horses.
:43:32
You don't say.
:43:34
Then one morning you wake up,
the guy's gone, the sax's gone.
:43:37
All that's left is a pair of old socks
and a tube of toothpaste all squeezed out.
:43:42
You pull yourself together, you go on to
the next job, the next saxophone player.
:43:46
It's the same thing all over again.
:43:48
You see what l mean? Not very bright.
:43:52
Brains aren't everyzhing.
:43:55
l can tell you one thing. It's not
gonna happen to me again - ever.
:43:58
I'm tired of getting
the fuzzy end of the lollipop.