:11:01
- I think that...
- Now.
:11:03
Look right through this window
and you can see the actors.
:11:06
You have a charming proscenium,
Mr. Pierce.
:11:08
Over here.
:11:11
Look this way and I can see my dealers.
:11:13
Keeps them on their toes,
knowing I can see them.
:11:16
Yes, very clever. Mr. Pierce, my
understanding was we were to split 70-30.
:11:19
- You have it 30-70.
- Same numbers.
:11:22
- Yes, but in the wrong place.
- I'll fix it later.
:11:25
You said you have some house scenery?
:11:27
- Sure. Loads of it. Right through there.
- I'd like to see it.
:11:31
After you, Miss Rossini.
:11:33
I'll come along.
I want to look at your lovely pictures.
:11:37
I've got everything. Everything from
center-door fancy to kitchen and woods.
:12:06
- "Whether 'tis nobler in the mind..."
- All right.
:12:10
Folks, there's no dressing rooms,
so you'll dress in the hotel.
:12:13
It's right through this door here.
:12:15
It's the best hotel in Cheyenne.
:12:37
Mabry, I wanna talk to you.
:12:39
You back, Santis?
:12:42
Mabry, how much you want
to leave me alone?
:12:45
You got Jensen and Slote.
Me, I'm the only one that's left.
:12:48
I ain't going up for that claim.
You can tell De Leon he can keep it all...
:12:51
like he wants. Me, I'm running.
Ain't that enough?
:12:54
- What more does he want?
- Ask him.
:12:55
I'm asking you. I'm begging you.
:12:57
Don't beg.
:12:59
You ain't no dog.