:30:10
[Man]
Cut!
:30:16
[Man On Phone]
Look, I tell you, Mr. Jarvis, this
picture is a commercial proposition,
:30:19
and that's why I want you
to do it because I know it's
the type of thing you handle.
:30:24
Look, you know I've talked
to Johnnie already. I've talked
to him, and he's crazy to do it.
:30:27
These are the figures
you wanted, Mr. Jarvis.
:30:30
Oh, it's terrific, Mr. Jarvis.
This script is gonna...
:30:33
- Still behind schedule.
...way back where it belongs.
:30:36
And you know
that Paramount want it.
:30:38
Yeah. Paramount want it.
MGM want it. Columbia want it.
:30:42
- [Jarvis] But is it commercial?
- [Man] Anglo want it.
:30:45
[Jarvis] Send me a memo.
We'll discuss it next week.
:30:48
Now, Miss Simpson,
take a memo:
:30:50
To all producers
and directors.
:30:54
In light
of the new economy drive,
:30:56
if you can see it and hear it,
the first take's okay.
:30:58
Slate 99, take 49.
Clappers on end.
:31:02
And darling,
just this once,
:31:05
will you please make an effort
to forget that you're stunning,
:31:08
and just try
to look stunned?
:31:10
One kind word
and I would be.
:31:12
All right.
Positions, everybody.
:31:14
Cut.
Roll once again, please.
:31:18
No, no, no, dear.
:31:20
Cut. Cut.
Cut it.
:31:22
- Slate 99, take 53.
- [Director]
We'll run it once more, please.
:31:24
Cut it!
Once again, please.
:31:27
If I have to faint once more,
I will faint.
:31:29
- Slate 99, take 57.
- [Director]
All right. Quiet, everybody.
:31:31
All right. Action!
:31:33
No, no, no, no, no. Cut it.
Cut it. Cut it. It's hopeless.
:31:39
[Gasps]
:31:41
- Oh, miss.
- [Director] Cut!
:31:43
- Cut! How was it?
Phil? Sam? Mark?
:31:48
Print it!
Hold take one.
:31:51
- Okay. Alex, that's it.
- All right, boys and girls. Wrap it up.
:31:54
8:30 in the morning. You're wonderful,
darling. You were really feeling it.