:32:00
Not then,
but once or twice before.
:32:06
Very interesting.
:32:08
What did you say?
:32:10
Nothing. We're joking.
:32:13
That's why you took
my bank statements.
:32:16
- Right.
- You kill me, and you're rich.
:32:19
You've got it figured.
:32:21
I don't think
much of the idea.
:32:24
- You'll be caught.
- Maybe not.
:32:26
I think I can get away with it.
Even in fantasy.
:32:30
She's listening.
Say something! Say anything.
:32:34
Eight of clubs
and an eight of hearts.
:32:37
- A long journey.
- Ah, Taormina. Mount Etna.
:32:39
- Philippe.
- We're taking a sentimental journey!
:32:44
-Philippe.
- Yes.
:32:47
- Philippe !
- Yes!
:32:52
Come here.
I want your opinion.
:32:55
- Listen.
- Listen to what?
:32:57
My new preface.
:33:01
"Fra Angelico was on the fence...
:33:03
between Gothic
and Renaissance painting."
:33:06
- I've read that somewhere.
- Wait.
:33:09
Oh, skip it. We'll discuss it
some other time.
:33:12
- You don't care about my work.
- Yes, I do.
:33:15
- You don't love me.
- What's wrong now?
:33:19
Why mix love and Fra Angelico?
:33:23
My work doesn't interest you.
:33:26
Yes, it does. But putting
Fra Angelico on a fence is not tactful.
:33:31
Oh, excuse me.
:33:33
Do you call this tactful?
:33:37
What is that?
:33:40
[Marge]
A souvenir of the Coliseum?
:33:43
[Philippe]
I don't get it.
:33:45
Don't start again.
I beg you.
:33:48
Please don't spoil everything.
You know I love you.
:33:51
- Now leave me alone!
- You don't respect my work!
:33:56
- But you never work.
- At least I try. You call this work?
:33:59
If you prefer, I can
work somewhere else.