:41:01
Oh, here.
:41:04
Hand me my kilt
of burning gold.
:41:08
Where are my plimsolls of desire?
:41:10
It's cruelty. That's what it is, cruelty.
:41:12
- Margot Fonteyn couldn't suffer more.
- I must go up. I'll be on the carpet.
:41:27
Feet together.! Next exercise. Begin.!
:41:30
Now, gentlemen, form up in your set.
:41:32
We'll begin with the simplest part first.
:41:34
That is the first lady in the middle
facing your partner.
:41:37
- Dusty.!
- It's eight turns round and back.
:41:40
Ready, and...
:41:43
one, two, three, four,
five, six, seven, round.
:41:47
One, two, three, four,
five, six, set your partner.
:41:50
Set, two, turn, two.
:41:53
And set, two, turn, figure three.
:41:57
One, two, three, four...
:42:01
five, six, seven and round.
:42:04
One, two, three, four,
five, six, seven, eight.
:42:08
Captain Rattray, that little dance
you're doing in the middle there.
:42:11
The hands at the sides,
if you please, not above the head.
:42:14
But surely, Pipe Major,
that's a question of individual style.
:42:17
I've put my hands up
ever since I learned to dance.
:42:19
Yes, I know, sir, but it's just these little points
of style that we're trying to make consistent.
:42:23
You know, Mr. MacLean, I'm darn sure
the hands should be above the head in the eighth.
:42:27
It is known, Major Sinclair,
but before the war, at the balls, I mean...
:42:31
the gentlemen did not
put their hands above their head.
:42:33
I still think Captain Rattray's right.
:42:35
Come along, Pipe Major.
It's far too cold to hang about.
:42:37
- Am I keepin' 'em up, then, or what?
- Of course, you are. Isn't he, Mr. MacLean.
:42:41
Kindly don't interrupt the pipe major.
He's in charge of this parade...
:42:44
and we will all follow
his instructions.
:42:46
- Carry on, Pipe Major.
- Sir. Corporal, with music this time.
:42:49
Back to your places now, gentlemen.
And it's the same again.
:42:52
Are you ready?
:42:55
And one, two, three, four,
five, six, seven, back.