1:35:01
That's right. lt may be a long time
betore l make any money.
1:35:05
Not if Birdie sang
your song tonight.
1:35:07
No chance. l pleaded.
1:35:10
They won't shorten the ballet--
not even ten seconds.
1:35:13
lt's the slowest dance I ever saw.
They move like turtles.
1:35:20
- What?
- Randolph!
1:35:28
Boys, those are really showstoppers.
1:35:31
Frank, Dean and Sammy,
come on out here and take a bow.
1:35:36
Frank, Dean and Sammy McWilliams.
Thank you, boys.
1:35:41
Right now, here on our stage,
the magnificent orchestra...
1:35:45
of American composer-conductor
Ray Block.
1:35:48
Now, really. Let's hear it.
1:35:50
Well, that ought to do it.
Any questions?
1:35:52
- No, sir. Not at all.
- Okay. l'm going backstage.
1:35:55
Right.
1:36:00
Don't know why l let that Albert
drag us here.
1:36:02
Rosie said she might have
a big surprise for us.
1:36:05
Maybe they'll show us sitting here
on TV. l bet that's it.
1:36:08
- Where did you get all that money?
- l sold Mr. Peterson my chemical set.
1:36:15
- Two minutes, maestro.
- Borov will be there.
1:36:20
Have never been late
for performance in whole career.
1:36:25
- You say you from magazine?
- Uh, yes. American Ballet magazine.
1:36:28
We want a picture of the world's
greatest conductor, Maestro Borov.
1:36:32
You flatter me.
So, shoot me quick.
1:36:37
Uh, drinking this milk.
1:36:40
- Milk?
- Yes.
1:36:42
We drink vodka, little tlower.
1:36:45
Oh, well, no, thank you.
Please, maestro. This milk.
1:36:49
You see, our president
has asked us to drink more milk...
1:36:52
and it would be
a goodwill gesture.
1:36:54
- President?
- Yes.
1:36:55
Oh, won't you, please, maestro...
1:36:58
to improve our relations?