A Shot in the Dark
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1:23:01
- I have a plan.
- What sort of plan?

1:23:05
A plan that cannot possibly fail.
1:23:22
Right. Now, remember,
at eight o'clock sharp,

1:23:26
you pull the master switch
just as l am about to name the murderer.

1:23:30
- Lights off for five seconds.
- No longer.

1:23:32
Just long enough for the murderer
to leave the room. understand? Clear?

1:23:37
Right, now we synchronise watches.
1:23:40
In seven seconds it will be precisely...
1:23:45
2.43.
1:23:50
- 2.43.
- Your watch must have stopped. I've 7.46.

1:23:54
Yes. 7.46, yes.
1:23:57
- No, no, no. Now it's nearly 7.47.
- Yes, all right. 7.47.

1:24:01
- Are we synchronising on 7.47?
- That is what you said.

1:24:05
No, l said it was nearly.
I've now, ooh... ten seconds to 7.47.

1:24:11
- I've got ten seconds after 7.47.
- Put your watch back.

1:24:14
- Yes, all right.
- Five seconds.

1:24:17
- Yes.
- Four.

1:24:18
Three.
1:24:20
(both) Two. One.
1:24:22
Now.
1:24:25
That's strange.
The second hand is not moving.

1:24:29
- It's ticking.
- It's moving now.

1:24:32
What? Yes. Yes, it is. Yes.
I know that. I can see that is moving now.

1:24:37
- And now l've 7.47 and 23 seconds.
- All right.

1:24:40
- Let's synchronise on 7.47 and a half.
- Very good.

1:24:44
(both) Five. Four.
1:24:46
Three.
1:24:48
Two. One.
1:24:51
- Now.
- My watch has stopped.

1:24:53
Your watch has stopped?
1:24:56
A remarkable coincidence.
It's stopped completely.

1:24:59
Hm.

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