:49:02
You 're certainly mine.
:49:07
And mine.
:49:13
Spotlight!
:49:15
Get it on me... and keep it on me.
:49:21
Now you 've all read the play.
Let me put you in the mood.
:49:26
The scene is a filthy attic in Soho
:49:29
in the very heart
of London's square mile of vice
:49:33
and worse, a dim figure is flitting
about the stage - that's you, Bill.
:49:38
You play Sidney,
assistant to Penelope Brown -
:49:40
amateur criminologist -
that's you, Miss Marple.
:49:43
Sidney is looking for something...
:49:46
searching... searching...
searching...
:49:51
A noise!
:49:52
A step on the stair outside.
:49:54
I, as the father, am about to enter
with my delinquent son, Stanley -
:49:58
that's you, Arthur.
:50:00
Arthur!
:50:01
Sidney freezes, then darts
to the place of concealment.
:50:09
Sorry, guv. Testing.
:50:12
You 're back!
:50:14
All right,
don't stand about grinning!
:50:18
Just testing indeed. Now where was I?
:50:23
Ah, yes.
:50:24
I come in with my son.
:50:25
I beg him to tell the police all he
knows about Rona La Plante's death.
:50:29
He sneers at me... rejects me.
:50:32
Then the climax of the scene -
:50:36
I detect a movement
behind the alcove curtain.
:50:38
I cross to it,
pull it aside to reveal...
:50:42
...Sidney!
:50:44
- What do you want?
- A call for Miss Marple.
:50:47
Why didn't you say so?
:50:49
Miss Marple,
you 're not in this scene.
:50:52
Thank you.
:50:54
Take it from my entrance.
:50:55
Bill, you 're concealed over here.
Arthur, you and I come in.