1:00:00
Please, enjoy your lunch. And I beg
of you, watch the calories.
1:00:23
This, my friend,
is a moment to savour.
1:00:25
For three years I've waited,
and at last my brilliant,
1:00:28
highly paid professional friend
has risen to the bait.
1:00:32
What he doesn't know, poor Rick,
is that the girl is ours.
1:00:36
You're sure he suspected nothing?
1:00:40
Inspector, my imitation
of a method actor was impeccable.
1:00:44
I played the role internally,
of course,
1:00:46
indicating all the basic elements
of this curious calling.
1:00:50
The deep, almost lunatic narcissism.
1:00:54
The lack of personal daintiness.
1:00:56
The appalling grammar.
1:00:58
Pops, it was...
Sir, it was flawless, brilliant.
1:01:01
I came in on a motorbike
in wheat-coloured...
1:01:04
Now, please, don't get carried away.
1:01:06
I remind you,
you are not the star of this drama
1:01:09
but merely a supporting player.
A very minor one, at that.
1:01:13
If life, like the theatre,
came equipped with programmes,
1:01:16
your billing, way down on the page
and in tiny letters,
1:01:20
would simply be second policeman.
1:01:23
As I was saying,
what he doesn't know, poor Rick,
1:01:27
is that the girl is ours.
1:01:31
Can we trust
a creature of the streets,
1:01:33
with a police record
as long as your arm?
1:01:36
Nothing will go wrong,
my dear Philippe.
1:01:39
There's a tiny chink
in Rick's armour. A pretty face.
1:01:42
One way or another,
using such talent as she has,
1:01:45
the girl will extract from him
the details of the plan.
1:01:49
The plan. But should they not
be followed? I have the car.
1:01:54
There would be no point.
Rick is a master.
1:01:57
No policeman alive can stay on
his trail if he wishes to elude him.