1:42:02
She forgot the bird,
she forgot the bird...
1:42:05
- I don't know what you mean.
- Yes, you do.
1:42:08
Girl leaves bird.
Boy has to come looking for girl.
1:42:11
I've written that scene
a thousand times myself.
1:42:14
Always works, of course.
That's point one.
1:42:17
Point two. How dare you quit me
when we haven't even started?
1:42:21
Point three...
1:42:23
I love you. Miss Simpson,
1:42:26
if you don't feel up to the job,
tell me now. I'll get someone else.
1:42:31
Oh, no, I'm perfectly capable.
1:42:33
Very well, then,
I hold here in my hand
1:42:37
130-some-odd pages of contrived
1:42:40
and utterly preposterous,
totally unmotivated...
1:42:43
Oh, if you could only say it
in pictures.
1:42:46
Come on,
we've got a screenplay to write.
1:42:48
Not starting from scratch, of course.
We've got two great characters.
1:42:51
She's sweet and bright and very, very
beautiful, and he, well...
1:42:56
...he's gone straight, rather dull.
We need something tojazz him up.
1:43:00
Find something for him to do,
some physical action.
1:43:05
To accentuate the masculine image.
1:43:07
There's something in American movies,
a terrible cliché,
1:43:10
but you did use it in the script.
1:43:13
Oh, yes...
1:43:18
I think maybe we should...
like, split.