:09:01
An indication to the audience
of the tremulous beginnings of love.
:09:05
And then, conflict!
:09:07
We can tell by the music
how deeply fraught with danger
:09:11
the whole situation is.
:09:13
And now... our first switch.
:09:17
The audience gasps when they realise
they've been fooled.
:09:20
Things are not what they seem.
Not at all.
:09:24
In fact, the whole situation
is completely reversed,
:09:28
involving
the magnificently ingenious
:09:32
switch... on the switch.
:09:38
Amazed by the sudden turn of events,
:09:41
the boy and girl realise how gravely
they've misjudged each other.
:09:49
At that moment,
:09:51
the music turns ominous once more.
:09:54
They become aware of the danger
that they're in and the chase is on!
:09:59
Screaming tyres, rooftops,
:10:01
long shots of tiny figures racing
through the fear-gripped city.
:10:05
When suddenly in a deserted alley
we see, seated on a garbage can,
:10:09
licking its wet rain-bedraggled fur,
:10:11
close shot, the cat!
:10:14
Now, as we build
step by step to the climax,
:10:18
the music soars.
:10:20
And there, totally oblivious
:10:22
of the torrential rain
pouring down upon them,
:10:25
the two fall happily and tenderly
into each other's arms.
:10:29
And as the audience drools
with sublimated sexual pleasure,
:10:34
the two enormous and highly paid
heads come together
:10:38
for that ultimate
and inevitable moment.
:10:41
The final, earth-moving,
:10:44
studio-rent-paying, theatre-filling,
:10:47
popcorn-selling...
:10:52
...kiss.
:10:54
Fade out. The end.
:10:59
That's it. 138 pages. Why make it
longer? We'd only have to cut later.