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:30:01
of this 19th-century village in Japan
belonging to a wider community.

:30:06
A government inspector
comes to the village

:30:08
and gives you a sense
of the politics beyond,

:30:11
and you also get a sense
that there is law and order

:30:14
in the society of 19th-century Japan, but
it's broken down in this particular place.

:30:20
In Fistful of Dollars,
there is no sense of law and order at all.

:30:24
That there's no law, the sheriff
is corrupt like all sheriffs in Leone's films,

:30:28
so the bounty hunters, those on
the take, the factions, the families,

:30:34
the Hispanic Mafia which runs these
towns is the substitute for law and order.

:30:39
There's a complete
absence of morality and law,

:30:42
which makes it take place
in a kind of moral vacuum.

:30:45
References to governments outside are
perfunctory. This isn't put in a context.

:30:50
It's a piece of theatre about a town
that is a kind of never-never land

:30:55
where morality doesn't exist.
:30:59
You want Eastwood to be the goodie,
but he never quite behaves like that.

:31:09
In most of the film,
he doesn't wear his poncho,

:31:12
although that's what
everyone remembers him for.

:31:15
He wore it in the opening
and the final sequences,

:31:18
but in between, the sheepskin waistcoat,
the blue shirt, the shrunk-to-fit jeans -

:31:23
they had one of each
so had to look after it,

:31:25
if they got it wet or dirty
they had to dry-clean it

:31:28
so he could wear it for the next setup -
was what Eastwood wore.

:31:56
Here's the "Deguello" theme, the trumpet
:31:59
with the strumming guitar in the
background. A Mexican funeral dirge.


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