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:38:01
But the other kind of family is factions, the
Rojos and the Baxters, which is a Mafia,

:38:06
a clan, a faction, the dark side of
family life - two visions of the family.

:38:12
Female characters, Leone's uneasy with.
:38:14
He doesn't really know how
to fit them in, so they're treated as...

:38:19
In the factions, as one of the boys.
:38:21
Basically, it's a kind of
adolescent view of sexuality,

:38:25
which you imagine was pitched
at the audiences in southern Italy,

:38:29
who had a low boredom threshold
:38:31
and talked unless something
happened every ten minutes.

:38:35
It's that kind of audience
that this film was pitched at.

:38:38
Hence there's action every ten minutes.
:38:41
Hence you keep the audience
on their toes all the time,

:38:44
assume the audience needs
to be entertained constantly.

:38:47
And I think the sexuality of the movie
makes that assumption as well.

:39:13
This was the museum
in Madrid, the courtyard.

:39:16
This museum of rural folkloric life
which was a ready-made.

:39:20
The crew went in and shot inside it.
:39:23
Other Italian Westerns
used the same location.

:39:40
Not too many stunt men around.
The budget couldn't run to it.

:39:49
The crosscutting between
the Rojos riding to the cemetery

:39:53
to see what's going on
with the two dead soldiers,

:39:57
and Eastwood doing a bit of detective
work back at the Rojo residence,


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