Per un pugno di dollari
anterior.
reproducción.
marcadores.
siguiente.

1:14:00
A lot of the baddies
in Leone's films were based

1:14:04
on the colourful villains in the cycle of
films made in the '50s by Budd Boetticher,

1:14:10
the so-called Renown cycle
with Randolph Scott as hero.

1:14:13
Very colourful villains played by Lee Van
Cleef, Richard Boone, James Coburn,

1:14:18
Pernell Roberts, and so on.
1:14:22
You have a taciturn hero who underplays
all the time, and doesn't say much,

1:14:26
and an over-the-top villain
that talks a lot and is very colourful,

1:14:30
and lots and lots of detail, was something
Leone said he got from Budd Boetticher.

1:14:35
In Boetticher they didn't
laugh when they kicked people,

1:14:38
which is what they tend
to do in Leone's films.

1:14:55
Clint Eastwood has recalled that
when he was shooting these sequences

1:14:59
where he's covered
in makeup from the beating-up

1:15:02
that he's had at the hands of the Rojos,
he arrived one day on set

1:15:06
and there was a huge argument
going on between Spanish and Italians.

1:15:10
Not uncommon on this shoot.
1:15:12
He couldn't work out what was said,
but Leone said through an interpreter:

1:15:16
"It's all right, Clint, put on your
makeup and come back to the set. "

1:15:21
So he put on the makeup and arrived
back, and found the set deserted.

1:15:25
Just the arc lights there,
looking like vultures in the desert.

1:15:30
And so he thought, "This is it. I'm wearing
all this makeup, I'm hot, I'm fed up. "

1:15:35
So he went back to the hotel
and said, "I'm off to America. "

1:15:39
As he was leaving,
Leone intercepted him and said:

1:15:42
"Look, it'll be all right.
There won't be rows any more. "

1:15:45
"There isn't much money, it's tense,
but let's get this finished. "

1:15:49
And all was forgiven, and that was
the last of the big rows on the set.


anterior.
siguiente.