1:22:01
I don't know, a railcar,
or a boiler, or whatever it is.
1:22:05
But it's gonna turn into a suit of armour,
like the armour in the Rojo residence.
1:22:12
With the "Deguello" theme,
but this time not played on the trumpet.
1:22:17
More orchestral version.
1:22:19
A Mexican funeral lament,
because that's what's gonna happen.
1:22:29
When I first saw this I couldn't
work out what was going on.
1:22:32
Nothing tells you it's a mineshaft, nothing
tells you what's going on, why this metal.
1:22:38
It's part of Leone's
intriguing form of cinema.
1:22:41
By the time you've worked
it out it's too late anyway.
1:22:44
They're onto the next action sequence.
1:22:47
Syncopating the bangs with the music
again. It's sort of justified music.
1:22:53
There'll be a lot of music
in Leone's films justified by action.
1:22:56
A chiming watch in For A Few Dollars
More, whistling in Duck You Sucker,
1:23:01
something that happens
justifies the music that goes with it.
1:23:05
The bang of the hammer
in syncopation with the music
1:23:08
sort of justifies the music with the action.
1:23:27
Italian Western heroes like to strike
matches on any available surface.
1:23:32
Whether it's chin, the boot
of a hanging man, or a piece of metal.
1:23:36
These matches strike on anything.
And it's part of the cool of the hero.
1:23:40
He's actually smoking in this sequence,
which is quite unusual.
1:23:44
You strike your match on any surface.
It's a cool thing to do in the 1960s.
1:23:50
Even on your teeth sometimes, in some
Italian Westerns. Which must hurt.