1:07:00
L'm boring you, right?
1:07:03
No, sorry... I was thinking.
1:07:05
In the cinema your mind
was also somewhere else.
1:07:09
I don't even remember
what film I saw.
1:07:11
I just went in, l'd been
wandering around for an hour.
1:07:13
I arrived at 6. It's 10 now...
I saw it twice.
1:07:16
' I can't stand some films.
' ''Vertigo'' 8 times.
1:07:19
''Journey to Italy'' 15, and you live
without Hitchcock and Rossellini?
1:07:23
You're an addict!
Are you putting me on trial?
1:07:25
You say that Resnais and Godard
make entertaining films.
1:07:28
''Une Femme est une Femme''
1:07:30
is more ''engage''' than the films
of Lizzani and even Rosi.
1:07:34
You're crazy! Explain yourself.
Or are you having me on?
1:07:38
Cinema is a question of style
and style is a moral issue.
1:07:41
You're not listening, what's up?
1:07:43
l'm in love.
1:07:45
Then it's a question of content.
1:07:48
And no longer of style.
1:07:50
It's never happened to me before,
1:07:52
I didn't know
what being involved meant.
1:07:54
Tell me.
1:07:56
L'm out of whack.
1:07:58
Did you think love was a
superstructure? A woman's a woman.
1:08:01
Things happen in life which...
1:08:04
...we don't understand at first, but
which are important and change us.
1:08:08
A tracking shot is style,
but style is a moral question.
1:08:12
I remember a tracking shot
by Nicholas Ray
1:08:15
of 360 degrees, which is one
of the highest moral moments,
1:08:18
and thus ''engage''',
in the film history.
1:08:21
' A 360'degree tracking shot...
' You're a reactionary.
1:08:23
'... 360'degree of morality.
' Maybe I should laugh, but I can't.
1:08:26
L'm just a bore who rattles off
lists of films, and tonight...
1:08:30
...you need to be alone.
1:08:40
Maybe you're right. L'm off.
1:08:52
Take my scarf.
1:08:54
' It's cold out.
' It doesn't matter.
1:08:56
I live close by!
I want you to take it.