The Moon-Spinners
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1:31:00
Oh, and there was
a scene at lunch.

1:31:02
What about?
1:31:03
Oh, how awful
everyone is in Greece.

1:31:05
Simply too unrefined...
1:31:07
especially some woman
who has a yacht...

1:31:09
called Madame Habib.
Too ghastly.

1:31:12
Who?
1:31:13
Madame Habib. Too ghastly.
1:31:15
Married five or six times.
1:31:17
Nobody who is anybody...
1:31:18
would even have her
inside the house.

1:31:21
Madame Habib?
1:31:23
Mm.
Her yacht's in harbor.

1:31:25
The Minotaur?
Are you sure?

1:31:27
Mark, lie down.
1:31:29
Is she here?
1:31:30
Oh, I don't know. I asked...
1:31:31
Madame Habib?
That would explain everything.

1:31:33
What would?
1:31:35
Why he was so desperate
to get rid of us.

1:31:37
Why he's been hiding
in Aghios Georgios.

1:31:39
What he's been waiting for.
1:31:40
Stratos?
1:31:42
The deal. The big deal.
1:31:43
I must get out
of this house.

1:31:45
You're not going anywhere.
1:31:47
Now, Mark, just lie still.
1:31:49
I've got to go back
to the village.

1:31:51
You're doing no such thing.
1:31:52
You're coming with us
to Athens...

1:31:53
because Mr. Gamble
has already ordered the plane.

1:31:56
Well, he can unorder it.
1:31:57
I can't let Stratos
slip through my fingers now.

1:32:00
Mark, please, be sensible.
1:32:02
Help me, Nikky.
I've got to get dressed.

1:32:04
Just tell me
why this woman...

1:32:05
is suddenly
so important to you.

1:32:07
She's
a multi-millionairess...

1:32:09
of doubtful repute...
1:32:10
with one of the finest
collections of jewels...

1:32:13
in the world.
1:32:14
So what?
1:32:15
She'd be the perfect
customer, don't you see?

1:32:17
Stratos can't sell
the Fleet emeralds...

1:32:18
on the open Market.
They're too well known.

1:32:21
I don't knowwhat
the Angel of Eastbourne gave me.

1:32:23
I feel half-crocked.
1:32:24
Now, look...
1:32:26
if you lie down...
1:32:28
and promise not to move...
1:32:29
I'll go and see
if that yacht...

1:32:31
really is the Minotaur...
1:32:33
because there's a telescope
on the terrace. All right?

1:32:35
I'll be right back.
1:32:38
And don't move.
1:32:40
(Dramatic music playing)

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