:38:02
I just take Emile's cab out for him
once a year... the day his wife has a baby.
:38:05
Frieda is finished now.
:38:08
It's a masterpiece!
:38:11
Boy! Look at the line!
:38:14
And the color and the sweep
and the texture.
:38:17
Marvelous!
:38:20
A testament to the human spirit!
:38:22
Total primitive articulation!
:38:25
- Mwah!
- Does Frieda's work sell?
:38:28
Sell? You think Frieda cares
whether her work sells?
:38:31
You think I care
whether my work sells?
:38:33
Typical American yardstick...
the eternal buck!
That's why I left the place.
:38:36
Well, Mr. Flint,
I was only asking. Um...
:38:39
Aaah! What's that?
:38:42
She's at it again.
:38:44
Aaah! Well, is someone
being murdered? Aaah!
:38:47
Are we going to the police?
:38:51
Hey, Larry.
She shot three already!
:38:58
Hey, Polly,
you're working again.
:39:00
Yeah. For weeks
I thought I couldn't paint again...
:39:03
and now, suddenly, it's all come back!
:39:10
One of the greats.
:39:12
Ugh! That picture makes me sick!
:39:15
Well, thank you.
Thank you very much.
:39:17
Good. Feel sick.
It should make you feel sick.
:39:19
It's destruction, pure and simple.
:39:21
That's what today is all about.
That technique is her way of expressing it.
:39:24
Ugh! Aaah!
:39:27
What was I doing in Paris
4,500 miles away from home?
:39:31
It was fate.
I had come to meet Larry Flint...
:39:34
an unspoiled, dedicated artist...
:39:36
searching in his own troubled way
for the simple life.
:39:40
Suddenly,
I knew I wanted to share that life.
:39:44
Well, I never did go back to the Ritz.
:39:47
I'll never forget the wedding.
:39:49
Frieda made a lovely bridesmaid.
:39:52
As a matter of fact,
she caught the bridal bouquet and ate it.
:39:56
For a while,
Larry and I led an idyllic life.