:46:00
How my heart goes out
to these poor forgotten people.
:46:06
Dear poor forgotten lady.
:46:10
How would you like to have this?
:46:16
Gina, sweetheart darling,
go and stand on the film fountain.
:46:20
There's a good girl.
:46:22
Now then, for this shot,
l absolutely need to have the 14 reflex....
:46:26
Not that reflex. With a 75 opening.
:46:29
Put that Hollywood film camera over there.
:46:32
Hurry. Time is money, time is money.
:46:34
Come, come, come.
:46:36
We begin with a long, full tracking thing.
:46:40
Panning the camera, putting it down.
:46:42
They are making a movie!
:46:47
They're making a movie in Sevalio!
:46:51
Papa, come back. You're sick.
:46:53
The movie. l want to be in the movie.
:47:03
Rosa, close the shop.
We are going to be in the movies.
:47:13
Mr. Director!
:47:15
Here's my Giovanni.
Take my Giovanni, Mr. Director.
:47:19
Let me through.
They're staying at my house.
:47:22
l'm your wife, tell them. l'm your wife.
:47:24
-Director, l'm the café owner.
-l'm the Mayor.
:47:27
Yes, yes. Federico Fabrizi.
:47:29
Don't push!
:47:30
-Don't push.
-Don't push.
:47:32
Don't push. Don't push.
:47:34
Everybody will be in the picture,
but don't push.
:47:38
Don't push!
:47:41
What's happening?
:47:43
Get away. l was here first.
:47:45
l demand to know what's happening.
l'm the Chief of Police.
:47:48
Let me through. Let the police through.
:47:55
Permit me!