Caccia alla volpe
prev.
play.
mark.
next.

:49:00
You say you actually know
Signor Tony Powell.

:49:03
l am his director, producer and best friend.
:49:06
Yes, but, l mean you actually
know him to talk to...

:49:09
...in the same room with him, up close.
:49:13
Just the same. Exactly the same as you
and l are talking now.

:49:18
Cigarette?
:49:20
Thank you.
:49:23
English. Very nice.
:49:26
Now then.
:49:27
The business of the permit.
:49:29
Just because l am Federico Fabrizi,
the Starmaker...

:49:33
...l don't expect to get
any special treatment.

:49:36
Yes, interesting.
:49:39
l'm glad we agree on that.
:49:41
What's interesting?
:49:43
You must excuse me, but...
:49:45
...every time l see a face
with good bone structure...

:49:48
...immediately l picture that face
up on the screen.

:49:54
You were saying about the application?
:49:56
You must file an application in Rome
which goes to the district supervisor...

:50:00
...and then to me for final approval.
:50:02
ln what way
do l have good bone structure?

:50:08
ln films, either you have got a face,
or you don't got a face.

:50:13
You have got a face.
:50:15
-Can l have it, please?
-What?

:50:17
-The application form.
-Yes.

:50:21
l'm sure l've got one in here somewhere.
:50:24
And you say l have a face?
:50:27
l noticed it when the light hit you
from the side.

:50:30
Did you look on the shelves?
:50:33
Not yet.
:50:36
Everything is in such a mess.
:50:42
Here it is. Here it is.
:50:45
Permit for parades and special events.
:50:49
-Sorry.
-lt's all right, you've good bone structure.

:50:52
Now then you would be required
to have this filled out in triplicate...

:50:58
...and then it must be brought
to be stamped at the bureau of....


prev.
next.