1:10:01
Now then....
1:10:03
-Ready on the camera?
-Ready.
1:10:05
-Ready on the lights?
-Yes, ready, but--
1:10:08
Good. You ready on the make-up?
Good, good.
1:10:12
Action!
1:10:13
What do we do?
1:10:15
Stop. Cut the film. Stop the lights.
1:10:17
Cut everything. Cut the music, sound.
1:10:20
Don't move anybody.
Stay where you are. Cut. Stop!
1:10:23
Tony, sweetheart, you got a question?
1:10:26
Never be afraid
to ask questions, sweetheart.
1:10:28
lf you don't ask questions,
it's the only way we'll get along, darling.
1:10:32
What are we supposed to do?
What's the scene all about?
1:10:35
You want to know
what this scene is all about?
1:10:38
Wait, l have to think.
1:10:41
Quiet! Fabrizi's thinking.
1:10:43
Quiet!
1:10:57
l've got it!
1:10:58
Quiet, he's got it!
1:11:01
l've got it. l've got it.
1:11:03
l've got it! l've got it!
1:11:06
What?
1:11:07
Nothing.
1:11:09
-What?
-lt's about nothing.
1:11:13
Tony, sweetheart...
1:11:15
...in this scene we have a great opportunity
to make a wonderful comment...
1:11:20
...on the lack of communication
in our society.
1:11:25
Two extremely beautiful people...
1:11:28
...sitting alone at a café...
1:11:31
...with absolutely nothing to say.
1:11:34
You get the significance?
1:11:37
lt's beautiful.
1:11:39
l love it, l love it.
1:11:41
Gina, technicians.
1:11:43
We take it from the beginning. Right.
1:11:46
When l give you the signal you do nothing.
1:11:49
Absolutely nothing.
1:11:50
l love it.
1:11:52
Try to get it right the first time? Good.
1:11:54
Good luck to you. God bless you.
1:11:58
Right, now.