1:30:02
It was a good try.
1:30:05
See you later in the club for a drink?
1:30:09
I don't know, I may have an appointment.
1:30:14
Some people just don't know
when to give up.
1:30:17
You can be damn cold-blooded
when you like, can't you?
1:30:20
George has been with this program longer
than any of us.
1:30:23
What sort of job do you think
she's gonna get when she leaves?
1:30:34
Can I speak to Miss McNaught, please?
1:30:37
Just a minute.
1:30:39
Alice, for you.
1:30:41
I'm coming.
1:30:43
Where's the material for them dresses?
1:30:47
Coming up with them, love.
1:30:50
- Hello.
- Hi, it's me.
1:30:52
Yeah.
1:30:54
You know they don't like people
phoning me here.
1:30:56
I don't see why not.
1:30:59
All right, I'm sorry.
1:31:00
Can we have lunch together
before I do this recording?
1:31:04
I know it's going to be awful, I dread it.
1:31:07
Let's meet at the trattoria at 1:00.
1:31:10
I can't possibly. Not today, not at 1:00.
1:31:12
You've got to have lunch.
1:31:17
- Mr. Katz is...
- What's it got to do with Mr. Katz?
1:31:22
We're having sandwiches sent in.
1:31:26
A whole new batch of stuff has just come
from the factory.
1:31:29
- He wants me to sort it out or something.
- But it's my last show.
1:31:34
I'll be back tonight
and we'll talk about it then. Okay?
1:31:39
All right. See you tonight.
1:31:49
That was fine, kids.
We have 45 seconds of film...
1:31:52
to cover Sister George leaving the village
on her bike.
1:31:55
Then we cut to the interior
of the saloon bar of The Rose and Crown.
1:31:59
Cue telecine.