:23:01
They interrupted Rembrandt,
why shouldn't they interrupt me?
:23:07
Yeah, what is it?
:23:09
- If I'm interrupting...
- You're not interrupting.
:23:13
Forgive the mood
but you caught me on a bad day.
:23:16
- This here is Chris.
- Oh, hi.
:23:19
- Hello. Are you an artist?
- No.
:23:22
- I can come back...
- Interrupt.
:23:25
- I'm here under duress.
- Thanks a lot.
:23:27
- Stop moving! I'm trying to paint you.
- Well, paint.
:23:31
It's very routine, not that important...
:23:34
Well, me and champagne are not routine.
:23:38
If you're interested in Mr Kingston,
what time he got here, I don't know.
:23:43
There was something about his watch
but I'm not sure.
:23:46
Might help if you try to remember.
:23:51
Oh, yeah. Well...
:23:53
Er... There was something wrong
with his watch.
:23:58
Yeah, that's it,
and he asked me what time it was.
:24:02
- That's it.
- That's it. I see.
:24:05
- Well, thanks. Sorry to bother you.
- No bother.
:24:08
- I'm in my commercial phase right now.
- Sam's just mad at the whole world.
:24:13
Because I made him
put her in his pretty pink cactus.
:24:16
- He thinks the artist should decide...
- (Man) Mitilda, you looking for me?
:24:21
Oh, imagine.
:24:23
Well, listen, I'll let you finish. Excuse me.
:24:26
- Do come back soon.
- (Sam) Stop moving!
:24:29
All right.
:24:35
Hey, Joe, didn't I hear
you parked Kingston's car last night?
:24:39
I remember.
The guy who gave me two bucks.
:24:41
Two bucks?
Just for parking a car?
:24:45
No. He lost a cuff link.
I helped him search, trunk and everything.
:24:49
- Did you find it?
- No. Why?
:24:51
Most people's trunks, they're kind of messy.
:24:54
His wasn't. Just a spare tyre
and a topcoat, nothing else in the car.
:24:58
What time was that, would you know?