:44:03
I know you don't sing
with the hands held over here.
:44:05
I know your style,
but that's the very point.
:44:09
- I am a jazz singer. And...
- Now you got it.
:44:14
Did you ever hear
of any agent in the world...
:44:17
booking a jazz singer
into Carnegie Hall?
:44:21
I'll have the newspaper guys,
the magazine fellows...
:44:24
the radio, the newsreel.
:44:27
And, Billie...
:44:29
when that curtain goes down
on your opening night...
:44:32
you're gonna hear a noise
that'll shake that frigging place.
:44:37
Then show me
the license commissioner...
:44:39
with the courage, who would dare
not to give you back your license.
:44:43
That audience will tear him into bits.
:44:46
- Billie, you're gonna do it?
- What do you think?
:44:49
You couldn't do that for me, could you?
:44:52
- You've made a deal.
- I'd have to take my manager.
:44:54
I just have two people
that I have to take.
:44:56
I have to take my piano player, and...
:45:00
Louis, you will go with me, won't you?
:45:03
Come on.
:45:06
- Carnegie Hall?
- All right, when do we leave?
:45:07
All right, we get Carnegie Hall.
Yes, Carnegie Hall's a big deal.
:45:10
It's a deal.
:45:12
It's very clear
:45:15
Our love is here to stay
:45:19
Not for a year
:45:21
But ever and a day
:45:25
The radio
:45:27
And the telephone
And the movies
:45:30
That we know
:45:31
May just be passing fancies
:45:34
And, in time, may go
:45:38
But, oh, my dear
:45:41
Our love is here to stay
:45:44
Together we're
:45:46
Going a long, long way
:45:50
In time the Rockies may crumble
:45:53
Gibraltar may tumble
:45:55
They're only made of clay
:45:58
But our love is here to stay