:32:11
Sally! Larry!
This is Paco.
:32:15
- Hey, man.
- Larry's a poet.
:32:18
But he works for
an advertising agency.
:32:20
Sally's an actress,
but works for a photographer.
:32:23
Paco's a policeman.
:32:24
That's terrific.
:32:27
I work for the police department.
:32:28
- That's really nice.
- Wow.
:32:31
See ya.
:32:34
- How are you?
- Pat's a novelist.
:32:37
But you're working for an insurance
company now, aren't you?
:32:39
- Yes, I am.
- Yeah. Paco's a policeman.
:32:42
Really? How exciting!
:32:44
Well, not too.
Right now, I'm filing fingerprints.
:32:47
Listen,
I file insurance policies.
:32:51
We should get together then,
file or something.
:32:53
- That was an improvement.
- I wanna askyou something.
:32:56
How come all your friends are
on their way to being somebody else?
:33:01
Think about that. I wanna
askyou something else too.
:33:04
Will you do me a big favor?
:33:06
Don't tell anybody I'm a cop.
:33:08
You know, let me just sort of
do it myself.
:33:11
Okay.
:33:21
Hey, man,
are you really a cop?
:33:25
- Right. I am.
- Wow.
:33:27
You know,
Leslie is a mind fucker.
:33:30
You gotta be kidding.
I didn't know that.
:33:34
What's a mind fucker?
:33:36
Well, that's a chick...
:33:38
who digs intellectual types
and super-bright guys.
:33:41
Oh, yeah?
:33:43
Well, she's very perceptive.
:33:52
You know,Japanese culture
and theater and painting...
:33:55
it's too rigidly stylized.
:33:57
Well, yeah, you know--
Yeah, but--