Murder on the Orient Express
prev.
play.
mark.
next.

:50:02
That reminds me of a final point.
:50:04
Much earlier, soon after 12:30,
you and I both heard Mr. Ratchett

:50:07
ring his bell several times and then
apologize for having had a nightmare.

:50:20
Ce n'est rien.
C'était un cauchemar.

:50:23
Who rang the second bell while
you were answering Mr. Ratchett's?

:50:27
The Princess Dragomiroff, monsieur.
:50:30
She asked me to summon her maid.
:50:33
Thank you, Pierre.
That is all for the moment.

:50:45
He had the means to do it.
The passkey to Ratchett's room.

:50:49
- And a knife borrowed from the chef.
- With whom he was in league.

:50:52
Which he plunged repeatedly
and without motive into the body

:50:56
of his suitably astonished victim.
:50:57
Anyway, we know the door
was not only locked, but chained.

:51:02
Mr. McQueen.
:51:04
Since our last conversation,
:51:06
I have learned the true identity
of your late employer.

:51:09
You don't say.
:51:12
Ratchett was, as you yourself
suspected, merely an alias.

:51:17
He was, in fact, Cassetti.
:51:19
The gangster who masterminded
the kidnapping and killing

:51:23
of little Daisy Armstrong.
:51:25
You had no idea of this?
:51:28
Oh, no, sir.
:51:30
If I had, I'd have cut off my right hand
so I couldn't type his lousy letters.

:51:36
And I'd have killed him with my left.
:51:38
You feel you could've done
the good deed yourself?

:51:44
It seems like I'm kind of
incriminating myself.

:51:47
I should be more inclined
to suspect you, Mr. McQueen,

:51:49
if you displayed an inordinate sorrow
at your employer's decease.

:51:53
Sorrow?
:51:56
My dad, my father,
was the district attorney, yeah,


prev.
next.