Murder on the Orient Express
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:50:02
That reminds me of a final point.
:50:04
Much earlier, soon after 12:30,
you and I both heard Mr. Ratchett

:50:06
Ladies and gentlemen,
:50:07
ring his bell several times and then
apologize for having had a nightmare.

:50:08
we now come
to my own reconstruction

:50:11
of the night of the murder...
:50:18
...or the night of the red herrings.
:50:20
Ce n'est rien.
C'était un cauchemar.

:50:23
Who rang the second bell while
you were answering Mr. Ratchett's?

:50:24
I only wish...
:50:27
The Princess Dragomiroff, monsieur.
:50:30
She asked me to summon her maid.
:50:33
Thank you, Pierre.
That is all for the moment.

:50:34
I only wish I could describe it...
:50:39
...with the incomparable panache...
:50:43
...the consummate verve,
:50:45
the enthralling cadences,
the delicate gestures,

:50:45
He had the means to do it.
The passkey to Ratchett's room.

:50:48
the evocative expressions of
America's greatest tragic actress,

:50:49
- And a knife borrowed from the chef.
- With whom he was in league.

:50:52
Harriet Belinda.
:50:52
Which he plunged repeatedly
and without motive into the body

:50:55
Miss Linda Arden.
:50:56
of his suitably astonished victim.
:50:57
Anyway, we know the door
was not only locked, but chained.

:50:58
I've always heard she wanted
to play comedy parts,

:51:00
but her husband
wouldn't have it.

:51:02
Which husband?
Your second husband, Mr. Hubbard?

:51:02
Mr. McQueen.
:51:03
Which husband?
Your second husband, Mr. Hubbard?

:51:04
Since our last conversation,
:51:06
I have learned the true identity
of your late employer.

:51:07
Or your first husband,
:51:09
Mr. Grunwald?
:51:09
You don't say.
:51:11
Linda Arden, the actress,
never played as difficult a role

:51:12
Ratchett was, as you yourself
suspected, merely an alias.

:51:15
as Mrs. Hubbard, the organizer
of this extraordinary revenge.

:51:17
He was, in fact, Cassetti.
:51:19
The gangster who masterminded
the kidnapping and killing

:51:22
Dare I deduce that the great
Linda Arden has been cured

:51:23
of little Daisy Armstrong.
:51:25
You had no idea of this?
:51:26
of her incurable disease
and is no longer bedridden?

:51:28
Oh, no, sir.
:51:30
If I had, I'd have cut off my right hand
so I couldn't type his lousy letters.

:51:31
It is I who should be committed
to a bed in a mental home.

:51:34
It is I who need a cure
for being so slow

:51:36
And I'd have killed him with my left.
:51:37
to notice the tricks
that were being played on me

:51:38
You feel you could've done
the good deed yourself?

:51:40
with regard to the time
of the murder.

:51:44
It seems like I'm kind of
incriminating myself.

:51:47
- Will there be anything more, sir?
- There will.

:51:47
I should be more inclined
to suspect you, Mr. McQueen,

:51:49
if you displayed an inordinate sorrow
at your employer's decease.

:51:53
Sorrow?
:51:53
Tell Mr. McQueen
I wanna see him, now.

:51:56
My dad, my father,
was the district attorney, yeah,

:51:57
Very good, sir.
:51:59
"And six beakers, stop.

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