Toute une vie
prev.
play.
mark.
next.

:25:00
with a southern exposure.
Follow me.

:25:02
For two days, you've touted
the southern exposure,

:25:05
- What does that mean?
- It means facing the sun...

:25:09
Facing the sea...
:25:12
- Facing the sun, very good.
- Very nice, thank you.

:25:15
This is the first office.
:25:18
What kind of company
do you have?

:25:21
- Incorporated.
- Incorporated? !

:25:23
We make commercials.
Soon it will be movies.

:25:26
Filmmakers
Incorporated.

:25:28
"All that money can buy
:25:30
is luxuries
to be unhappy with,

:25:33
a first-class funeral,
alimony for a divorce.

:25:37
If we had to pay for a divorce
before getting married,

:25:41
everybody
would stay single.

:25:43
And if funerals
had to be paid for at birth,

:25:46
the human race
would be near extinct."

:25:51
"After her divorce,
she really hated money lovers.

:25:55
She had nothing
against money.

:25:58
She just didn't like
how the rich used it.

:26:01
Between waste and greed,
there wasn't much choice."

:26:04
What are you thinking?
:26:06
With you, I don't think.
I only have to touch you.

:26:10
Okay, Annie. Wait.
:26:13
Remember when
you said that to me?

:26:16
Your voice sort of trembled.
That's what I'd like to hear.

:26:20
- Okay, I'll tremble.
- Perfect!

:26:22
You're fine.
Don't change a thing.

:26:25
You been an actor long?
:26:27
For three generations.
We're all actors from father to son.

:26:30
That's nice.
On your marks, everybody.

:26:33
After the kiss,
he could drink a glass of Ricard.

:26:36
Charles,
no more commercials, ever!

:26:41
Does your masterpiece suffer
if the guy drinks a Ricard?

:26:45
Do you like what you see
in the mirror every day?

:26:48
It would have paid
for a week's shooting.

:26:51
Everybody ready?
Let's go.

:26:54
- Okay, ready!
- Rolling!

:26:57
Scene 13, take 2.

prev.
next.