:18:01
Oh; I see. It repeats.
:18:03
Yes, that's very important,
that last.
:18:06
- That's the ''cazenza,''
''cadenza,'' whatever you call it
- ''Could I Be in Love. ''
:18:09
Do you want that ?
Aren't you mad about your record ?
:18:13
I was very serious
about my singing. Loved it.
:18:16
After you hear that;
you realize nothing is--
:18:20
- Important.
- No; it isn't. Nothing.
:18:23
Well; my mother;you know; she gave me
the right slant on my voice.
:18:27
She told me to leave everything;
to leave everything.
:18:29
No man could compete
against Mrs. Beale and Gould.
:18:34
- We were pretty good.
- No man in the world.
:18:36
Well; I worked hard.
I wish you would play ''Laura. ''
:18:41
Imagine bothering about anything
when she had a talent like that ?
:18:45
Well, I had to take care of this house.
I lived on no money.
:18:50
You were able to save
the house on account of me.
:18:53
- Yeah, I think that--
- I didn't want to live in East Hampton;
:18:56
but I had to on account
of Mother's house.
:18:58
Well, now you see why you lived,
because you had music all the time.
:19:02
That's why.
And you went to the beach too.
:19:05
- That's what you liked.
- Those are the only things.
:19:08
Well, I think
you liked your dancing.
:19:11
- You were very good at that.
-[ Phonograph.: ''Tea for Two'']
:19:14
[ Edie ]
This is Kostelanetz.
:19:18
Did you see the; uh--
the play on Broadway?
:19:21
'' No, No, Nanette.''
:19:23
Tea for two, and two for tea
:19:26
And me for you, and you for me
:19:30
Alone
:19:35
...to hear us
so see us or hear us
:19:38
No friends or relations
and weekend vacations
:19:42
We won't have it known, dear
that we own a telephone, no
:19:49
I'll awake and start to bake
:19:53
A sugar cake for you to take
:19:58
Mmm, for all the boys to see