1:03:04
the very last moments of
death, his sisters provided him
1:03:09
with victims for his art"...
...Sisters!
1:03:17
Why did he write in third
person? Like a researcher,
1:03:23
to communicate with
the dead mother of Legnani.
1:03:45
He talks of communion...
1:03:49
...and human sacrifice.
1:03:52
There's a possibility
that a man, today,
1:03:55
can communicate with the dead,
1:03:59
during the ritualistic painting.
1:04:05
Stop it!
1:04:10
That's enough!
1:04:17
Shut up! I'm begging...
stop talking about it!
1:04:20
I can't stand this place
anymore. I want to leave.
1:04:28
Rio de Janeiro.
1:04:34
From Rio de Janeiro.
1:04:38
What? What is it? Tell me.
1:04:42
Probably the answer
to all the craziness.
1:04:45
Who is it?
1:04:49
- I'm sure it's them!
- Them?
1:04:52
- I must leave now.
- Take me with you.
1:04:55
No, stay here, get some rest.
Don't open the door for anyone.