:34:21
Makeup and hair here?
:34:23
- Yes, Mr. Stahr.
- Yes, Mr. Stahr.
:34:24
You made her look
like an angel.
:34:26
l don't know how you've done it.
:34:28
Congratulations.
:34:29
- Thank you, Mr. Stahr.
- Thank you, Mr. Stahr.
:34:38
Those, uh, French girls,
:34:41
they really, uh,
they've really got depth.
:34:44
They really know
what it's all about.
:34:47
Yes, l think they have depth.
:34:52
Who wrote that scene?
:34:53
The English writer,
Monroe.
:34:55
Boxley.
:34:58
lt's the last thing he wrote
before... before he left.
:35:01
What a great
going-away present.
:35:03
Who ever heard anyone say,
"Nor l you."
:35:06
Has anyone ever said,
"Nor l you," to you?
:35:08
"Nor l you."
:35:10
Hmm.
:35:11
"Nor l you."
:35:14
We'll have to rewrite the scene
and reshoot it.
:35:16
lt's absolute crap.
:35:17
People don't speak like that.
:35:18
Do l have any writers
around here
:35:20
who understand the
way people talk?
:35:23
Norman.
:35:24
Yes, Monroe.
:35:26
Put four writers
on that scene tonight,
:35:27
and l want to see the rewrites
before they shoot it.
:35:30
Sure, Monroe.
:35:32
How much is it going to cost
to reshoot the scene?
:35:33
Well, the set's
already been struck.
:35:36
So how much is it going to cost?
:35:38
Oh, about $50,000.
:35:40
And we have a preview next week.
:35:42
l don't care what it costs.
:35:43
Make it.
:35:51
l don't know what's wrong
with the scene.
:35:55
l thought that was
a pretty touching scene.