:06:02
Good morning, Mr. Theodore.
:06:06
Last night I had an--
:06:15
Is it possible he could have
a deep telephone voice?
:06:18
You never know these days.
:06:27
I'm going to need your permission
to escalate my ultimate weapon.
:06:32
-I don't go for violence.
-I'm not talking about violence.
:06:35
I'm talking sex appeal.
I'm gonna use it on Miss French.
:06:38
-Be serious.
-I am serious.
:06:42
I'm serious.
:06:50
She's got eyes for me.
:06:52
Now, all I have to do
is take her out.
:06:55
One thing leads to another,
and at the end of a week...
:06:58
...anything I ask her about anybody,
she will tell me.
:07:03
She will smack her mama
if I tell her to.
:07:06
You're the one she'll smack.
:07:07
I take it that you didn't turn up
anything on those names.
:07:10
No. But his name's got to
be on that list somewhere.
:07:14
Now, you give me permission
to work on Miss French...
:07:19
...and I will uncover that dude,
and we will get away clean.
:07:24
Now, just be cool.
Let me work on her.
:07:27
Poor baby.
:07:33
Don't be so modest, David.
:07:35
Two mailroom jobs,
firm and committed? That is great.
:07:39
We still have 28 more to go.
:07:41
You'll get them, I know you will.
I have confidence in you.
:07:45
Thank you.
:07:47
-We're off to lunch, Marsha.
-Yes, Miss French.
:07:50
Of course, there are problems
I had intended to discuss with you.
:07:54
For instance, the board members,
the contributors, the sponsors.
:07:58
I know nothing about the backgrounds
of the contributors and the sponsors.