New York, New York
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:37:30
Beautiful. Beautiful.
:37:35
Hey. Pops.
are you Jimmy Doyle?

:37:37
Want to play the blues?
:37:39
Are you Jimmy Doyle?
:37:44
No.
:37:45
You're the sax player, ain't you?
:37:49
I'm a sax player.
but I'm not Jimmy Doyle.

:37:51
Do you think it's possible
that you can communicate

:37:54
with Jimmy Doyle
the sax player?

:37:56
Depends on what
you want me to communicate.

:37:59
I have a very important missive
for Jimmy Doyle.

:38:01
- A what?
- A billet-doux.

:38:04
- A billet-doux?
- A Billy who?

:38:09
I'll elucidate.
:38:10
A tender message
from a certain female party.

:38:13
For me?
:38:14
- For you.
- For him?

:38:15
Precisely.
:38:18
Take it. Doyle.
:38:20
It's from Francine.
:38:22
She said she had
a wonderful time.

:38:34
Hey, wait. I'll be right back.
:38:36
- Where you goin', baby?
- Be right back.

:38:39
That girl ain't comin', is she?
:38:40
- I'm getting her now.
- Ten minutes, or you're fired.

:38:42
What do you care?
There's no one here anyway.

:38:44
You had your jam session.
and now you're not coming back!

:38:46
Hey, man, hold it.
Hey. Daddy, hold it, hold it.

:38:49
Hey, can I talk to you for a minute?
:38:51
- Did you read this letter?
- Of course not.

:38:54
What do you think I am, crazy.
read letters?

:38:56
- Your name is Tony Harwell?
- That's right.

:38:58
- You're an agent?
- Yeah.


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