:52:03
We're pretty certain that this drawing
was drafted in Italy.
:52:06
The size corresponds
with a Venetian octavo...
:52:09
and the typeface
is an Italian one.
:52:11
Now, note the slight upward stress
on the transversals.
:52:15
What's that mark there?
:52:19
Probably a show-through
of something...
:52:21
the drawing was resting on
when it was photographed.
:52:23
Must have been done in a hurry.
:52:25
- Can you enlarge it?
- Wait a minute.
:52:31
- "Oratory"? What is that?
- It's another word for chapel.
:52:35
Looks a bit like a bishop's mitre.
:52:39
It is a fish.
:52:41
That is the symbol
of the Stromberg Shipping Line.
:52:44
Karl Stromberg? He's one
of the richest men in the world.
:52:46
One of the principle capitalist
exploiters of the West, sir.
:52:50
So it's not "oratory,"
it's laboratory.
:52:52
Stromberg has a marine
research laboratory.
:52:54
On Corsica, I believe.
:52:58
Well done.
:53:00
Actually, it is in Sardinia.
:53:07
That's brilliant.
:53:08
I'm certain that two such
perceptive talents...
:53:11
will enjoy working together
in Sardinia...
:53:14
and that it will help to make
Anglo-Soviet cooperation a reality.
:53:35
Here we are.
:53:38
That was a delicious meal.
Thank you.
:53:42
I didn't realize you had
such a healthy appetite.
:53:44
Neither did I.
:53:46
It must be traveling by train.
I always enjoy it.
:53:49
I remember when...
:53:52
What do you remember?
:53:53
I was going to talk about a mission.
:53:57
Silly, isn't it?
:53:59
We can't talk,
and yet we're in the same business.