:27:01
Business acquaintances.
:27:03
And Miss Elaine Cassell?
:27:07
I knew her...
:27:09
...well.
:27:11
I am sick and tired
of waiting back there!
:27:14
Now I want to know
where my girlf riend is!
:27:17
-My father is a very...
-My father can whip your father's ass!
:27:21
Get him out of here.
:27:26
If you want real suspects,
take a look at that number...
:27:29
...you just dragged out.
:27:30
That's right.
You can tell me anything you want.
:27:34
Why don't you give me
a bit of that Rona Barrett?
:27:38
Frankly, I don't do Rona Barrett.
:27:42
How'd you like to see
my Barbara Walters?
:27:44
Hey, I do a terrific Lloyd Bridges.
:27:52
These are classified police
photographs of unsolved murders.
:27:57
They've never been
published anywhere at all.
:28:02
Now, what I would like you to do
is compare your photograph to ours...
:28:07
...in this case...
:28:14
...and in this case.
:28:31
-My question is simple...
-Why are my photos so much like yours?
:28:35
That's right.
:28:36
When were these taken?
:28:38
About two years ago.
This one, about 14 months.
:28:43
-lt's disturbing.
-Extremely.
:28:45
-No, the timing is disturbing.
-ln what way?
:28:49
You go through definite periods
in your work.
:28:53
About two years ago,
I began to see...
:28:55
...images of murder, violence.
:28:58
And it started to become
a part of my work.