:22:02
So how are you doing?
You seem... You look OK.
:22:05
I'm good.
:22:07
I read something of yours in
a magazine. New Yorker, I think.
:22:10
Poem called "Wondering".
:22:13
- It was very beautiful.
- It's an old poem.
:22:16
I redid it. And now when I reread it,
I find it much too ambiguous.
:22:21
Nah. I may redo it again.
:22:24
We're starting our drive back.
Can we drop you someplace?
:22:28
I have to catch a plane
really early tomorrow morning.
:22:30
Oh, right. I heard you're shooting a movie
in the cold Rocky Mountains of Colorado.
:22:35
Couldn't be some place like Acapulco.
That's my idea of fantasy.
:22:40
Lie around on the beach.
Get waited on hand and foot.
:22:43
Really? I can't take Mexico. I always think
I'll get shot just walking down the street.
:22:48
What was that?
:22:54
"Happy birthday. Love, Arthur. "
:22:56
They're beautiful.
:22:59
I like white roses better than
any other flower on earth.
:23:02
There you are.
I knew he wouldn't forget.
:23:05
Mom. And you were worried?
:23:07
They're a good sign. Don't you think?
:23:16
Well? Are you getting dressed or what?
:23:22
Frederick, are you talking to me?
:23:25
We said everything.
:23:26
Don't blame me. I've been
nothing but understanding.
:23:30
- You don't help by patronizing me.
- I wasn't.
:23:33
Your work is great.
Who cares what the critics think?
:23:36
That's easy for you to say. You get
encouragement. You're their little darling.
:23:41
They're lenient with me,
obviously, because I'm a woman.
:23:44
No.
:23:46
- It's because you're so damn good.
- So are you.
:23:49
The book didn't get
the response it deserved.
:23:52
I hate to tell you how often
they've missed the boat.
:23:54
Stop lying to me. I count on
you for honesty, not flattery.
:23:57
I'm not lying. I'm not lying.
And who cares what anybody thinks?