All That Jazz
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:19:02
And change.
:19:06
Let me try to understand.
:19:08
Of that figure, how much do we recoup?
:19:11
Yeah, I'm confused too. Do we
get all of that, or part of it, or what?

:19:15
Simply, here are the options.
One, if Mr. Gideon recovers

:19:19
and you resume production within the
180 days, we are not liable for any part of it.

:19:24
Two, if Mr. Gideon should die and you resume
production with another director

:19:28
within the 180 days, we are still not liable.
:19:33
Three, however, if Mr. Gideon
should expire before February 1,

:19:38
and you abandon production,
:19:41
we are liable for the full million dollars.
:19:43
This means, gentlemen,
you could make a profit of...

:19:49
$519,500.
:19:55
You could be the first show on Broadway
to make a profit without really opening.

:20:04
Well...
:20:07
it's all very clear to me.
:20:19
All this bullshit about death with dignity.
:20:22
You know what death with dignity is, man?
You don't drool.

:20:26
Change-of-pace time. Request.
Here we go. Vic O'Dante. Hey!

:20:30
# Death is in, death is in, my dear
:20:33
# Death is the thing
:20:35
Oh, that's very theatrical, Joe.
:20:37
Please don't try to talk.
:20:42
- You wanna shoot it now?
- Huh?

:20:45
- I can't understand him. I think he said "OK."
- Hospital hallucination, take one.

:20:50
There's a lady in Chicago, man,
wrote a book. Dr. Kübler-Ross, with a dash.

:20:55
This chick, man, without
the benefit of dying herself,


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