:27:01
This is a anecdote that struck me.
:27:04
The rest of the shooting was
also a succession of anecdotes.
:27:09
I don't know what he wanted to say.
:27:12
I don't know him well enough
to know if, when he shoots,
:27:16
he wants to convey a message.
:27:19
As far as I know,
he wanted to entertain.
:27:24
I don't think there was any
particular message.
:27:29
Otherwise, the film would be
dishonnest.
:27:32
Dishonnest movies are easy
to recognize,
:27:35
because they are politically correct.
:27:38
For everything, there is
a justification.
:27:41
Ruggero made his movie 'as it is'.
:27:44
Here's the story,
here's the account.
:27:49
Then...
:27:51
I didn't like what I did.
:27:53
I'm being honnest,
because I'm actually
:27:57
against any kind of violence.
:28:00
I can't stand violence
:28:04
towards
:28:06
the most feeble.
:28:09
In that, I can't say I agree
with the movie.
:28:15
So why did I do it?
:28:16
It is some kind of professionnal
deformation.
:28:21
It's like a lawyer who defends
a murderer.
:28:26
Why defending a murderer?
:28:28
Because it is his job.
:28:31
Sometimes he even saves him.
:28:33
It's the same feeling when
we do a movie.
:28:37
We have to believe in it.
:28:39
Otherwise, we'd better clock in
:28:44
or work in a townhall!
:28:47
It's the kind of work
you have to like.
:28:51
Otherwise, don't do it.
You can, but you shouldn't.
:28:58
I consider this movie to be
a denunciation, on several levels.